The gaze Essay Example | Topics and Well Written Essays - 750 words

The gaze - Essay ExampleThere was little in the way of shoot nudity in most images of stars, but photographers utilised expectant skill in appealing to the unconscious in their pictures. They found ways to atomic number 82 at emotional dimensions below the surface, thereby triggering the desired reactions in the audience in a subtle way. The image above of the iconic film star Marilyn Monroe makes use of a in truth striking color contrast to emphasize the partially naked body in the center of the frame. The composition is fairly symmetrical apart(predicate) from the back of the wicker contribute which paradoxically juts out to the right of the central figure. This suggests that the subject sits uncomfortably in a world that is not quite desirable to her needs she is something of a rebel, but at the same time, this attitude makes her vulnerable, because her seated position is not quite secure. A low horizon line at the bottom separates the bright blue floor from the almost blac k background. The stiff netting material of the dress presents an angular and yet see-through shield or so the subjects lower body it is very structural in form, as if to protect her, and yet the light shining through reveals a great deal of the bare skin beneath. This is no doubt a deliberate strategy used by the photographer to tease the centre of attention with an illusion of modesty. The trait of the photograph that I find most interesting is the combination of both mature and immature connotations of female sexuality which exist together in iodin and the same human subject. The very red lipstick draws attention to the subjects sensual mouth, and the red fingernails accentuate this still further. Likewise the red toenails hint at deliberate efforts on the part of the subject to make herself sexually attractive to men. On the other hand, the posture bending forwards on the chair serves to hide the upper body, notably the breasts, and the naked feet pointing clumsily inwards s uggest a childish awkwardness in front of the camera. The pose is modest, and yet unveil at the same time. This tension is reflected also in the silhouette that the human figure forms. Sitting in the middle of the picture, Marilyn Monroe appears to be slightly off-balance, as the eye is drawn by the outline of the dress from upper left to lower right. This too, makes the figure look insecure and in need of support. The male gaze finds accordingly cause to feel both lustful and protective about the figure in the image, and this in nutshell describes the cultural value of the Marilyn Monroe brand in Hollywood moving-picture show terms. The look which she offers the viewer is disarming and innocent, but there are many subconscious clues of a mature sexuality beneath the surface. There are parallels in the midst of this image and classical paintings, in which the interplay of light and shade serves to highlight the human flesh tones. This modern photograph is, however, more overtly sexual than classical paintings. A deliberate untidiness in the hairstyle and the direct, full-face angle of the picture suggest a kind of artful frankness. The model is pretending to be caught off-guard in a moment of relaxation, possibly after dancing, but in fact the composition looks very much as if it has been carefully staged to give this impression. A very important part of the pictures impact is due to the complete lack of background